This under-painting is called a grisaille. It helps you solve a lot of problems in a single dimension -- just one color. It's easier to see what things need fixing, if you start a painting in just one color. Later, I'll work in more colors, when this layer of burnt sienna dries. That way, if I don't like the way the color is going, I can wipe it out without losing this under-painting.Someone asked me why I'd rather paint that take photos. If this project is something of a documentary, then would the photograph more accurately depict the subject mater? Perhaps -- photos would be quicker. Do any of you readers have response to this? Hey, don't just stop and read. Rather, read and write some too!
Best,
Mike
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